binx newton
digital photographic manipulations

binx is an architect to live, but lives for art. 
He has focused on the  social construction of reality through digital montage, web-based interfaces, and installations. 
He is a photo taker and an imager faker, interested in hypertext relationships both inside and outside of the digital world.

LATEST WORK

Quick Response :
This digital montage work investigates environmental and political pressures applied by real and fabricated forces …
after we are forced to decode the message.
Use the free QR Reader App for the most complex codes.   Otherwise, any QR code reader will do.
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  2. Managing Director
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  4. Managing Director
  5. Managing Director
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  7. Managing Director
  8. Managing Director
  9. Managing Director

about

Collections
  1. Continuity
    Continuity
  2. Palimpsestuous
    Palimpsestuous
  3. outside
    outside
  4. urban micro-excavations
    urban micro-excavations
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continuity

  1. Model Number 1
    Model Number 1
  2. Model Number 8
    Model Number 8
  3. Model Number 6
    Model Number 6
  4. Model Number 5
    Model Number 5
  5. Model Number 3
    Model Number 3
  6. Model Number 2
    Model Number 2
  7. Model Number 7
    Model Number 7
  8. Model Number 4
    Model Number 4
  9. Title 9
    Title 9
  10. Title 10
    Title 10
  11. Title 11
    Title 11
  12. Title 12
    Title 12
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    Title 13
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    Title 14
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    Title 15
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    Title 16
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    Title 17
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    Title 18
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    Title 19
  20. Title 20
    Title 20
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    Title 21
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    Title 22
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    Title 23
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    Title 24
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    Title 25
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    Title 27

Palimpsestuous

We are the palimpsestuous.
We leave recognizable traces when we erase or conceal, allowing intentions and the spectacle to slip through.
We overwrite the overwritten, undermine our best interests, efface every symbol, and negotiate with the spectacle, but to no avail.
“The consumer is actually trapped between freedom and immobility, because although we are given the privilege of movement, freedom of movement is a fiction; we move according to the logic of consumer society, and through our movement we are transformed into an object of the gaze, subtly woven into the capitalist system.”1
Our freedom has become our boredom and it becomes filled with fetishism, fanaticism, fear, etc.
“Commodity has completed its colonization of social life – commodities are now all there is to see.” 2
“Shopping is arguably the last remaining form of public activity. Through a battery of increasingly predatory forms, shopping has infiltrated, colonized, and even replaced, almost every aspect of urban life.” 3
We resist, but our supports from above are severed and our foundations below are extracted. We are left suspended, and asphyxiated by, the residuum that coagulates within the transparent bounds of our consumer incarceration - tethered to the spectacle by codification. The Universal Product Code “is the mechanism by which the virtual establishes its logic in the real.” 4
So, the “Century of the Self” has exceeded the expectations of its designers “for the present age, which prefers the sign to thing signified, the copy to the original, representation to reality, the appearance to the essence ... the illusion only is sacred, truth profane.” 5
The topos persists and we are overwritten while we overwrite.
 
1. Walking into and out of the spectacle: China's earliest film scene. -- Laikwan Pang
2. The society of the Spectacle – Guy Debord
3. Harvard Design School Guide to Shopping – Rem Koolhaas, et al.
4. Telecommunications and the City: Electronic Spaces, Urban Places
5. Preface to the second edition of the Essence of Christianity – Feuerbach

  1. a dispassionate glare
    a dispassionate glare
  2. reduced earnestness
    reduced earnestness
  3. lawns cover human manipulations like thick pelts or even toupees
    lawns cover human manipulations like thick pelts or even toupees
  4. delirium for the masses
    delirium for the masses
  5. over-ripe and under-nourishing at the same time
    over-ripe and under-nourishing at the same time
  6. where regurgitation is the new creativity – distinctions are cancelled
    where regurgitation is the new creativity – distinctions are cancelled
  7. replacing hierarchy with accumulation with access to a credit nirvana
    replacing hierarchy with accumulation with access to a credit nirvana
  8. between the scraped and the scaped
    between the scraped and the scaped

urban micro-excavations

  1. Model Number 1
    Model Number 1
  2. Model Number 3
    Model Number 3
  3. Model Number 5
    Model Number 5
  4. Model Number 2
    Model Number 2

outside

  1. Model Number 1
    Model Number 1
  2. Model Number 8
    Model Number 8
  3. Model Number 6
    Model Number 6
  4. Model Number 5
    Model Number 5
  5. Model Number 3
    Model Number 3
  6. Model Number 2
    Model Number 2
  7. Model Number 7
    Model Number 7
  8. Model Number 4
    Model Number 4
I want to hear from you
  1. Phone
    205.276.0183
  2. Email
    binxnewton@gmail.com
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